February 20-21, 2026
experimentation through (Dis)Pleasure
We are in a society where pleasure is not prioritized, where everyone does what they must in hopes of one day being able to do what they want. But what if doing what you must is also what you want? What if doing what you must leads to what you want? There is (dis)pleasure in experimentation and both are valid.
Without one you cannot have the other. What does this mean to you? Experimentation through (dis)pleasure can be anything you want it to be, or anything you need it to be.
What is pleasure?
Pleasure can mean many things to everyone, but for this conference when we talk about pleasure, we are thinking about…
Euphoria of making
Fulfillment & Self-satisfaction
Creation, Experimentation & Research
Communication, Resonance & Community
What is (dis)pleasure?
Just like pleasure, (dis)pleasure has many meanings person to person, but for us, we are thinking about…
Frustration or Discomfort from Failures, Accidents or Unexpected Outcomes
Striving for Perfection
Unfulfillment & Dissatisfaction throughout work process
Systemic Issues & Challenges
Global warming, aging population, gender inequality, colonialism, war, institutional issues, bureaucracy, financial issues etc.
Unfulfilling & Unsatisfying work
Papers, assignments, academic tasks that are unenjoyable but lead to something pleasurable i.e. thesis, exhibitions etc.
Work that you simply just don’t enjoy but have to do
Commercialization of pleasure
What happens if you put pleasure & (dis)pleasure in dialogue with one another?
Dis)Pleasure Glossary
Thinking through and about (Dis)Pleasure, we have been considering these terms and ideas
Resonance: subtle communication through non-verbal or non-literary cues; when you feel something in the air, through a song or from an artwork. How do things resonate through you?
Community-building: an activity, event, exhibition or movement that inspired connection, communication and collective feelings of togetherness between groups of people. Artwork, research & activities involving it are occasionally described as ‘community engagement-based’.
Frustration: a stressful feeling typically perceived when you get an outcome you did not expect, face failure or experience burn out.
Resonance: subtle communication through non-verbal or non-literary cues; when you feel something in the air, through a song or from an artwork. How do things resonate through you?
Community-building: an activity, event, exhibition or movement that inspired connection, communication and collective feelings of togetherness between groups of people. Artwork, research & activities involving it are occasionally described as ‘community engagement-based’.
Accident: an unexpected and sometimes random event that deviates from a planned result. It can be a positive or negative experience.
Perfection: a social construct describing someone or something without flaws.
Dissatisfaction: a feeling of unhappiness, disappointment, or unfulfillment.
Experimentation: trying new things, using a medium differently, anything that deviates from your regular art practice. Show us your experiments or experimental artwork!
Unexpected outcomes: the moment when you predicted something would happen in a certain way but turns out you were wrong. An unexpected outcome can be positive or negative and might be synonymous with ‘accident’.
Embodied experience: describes when a person perceives moments and events with multiple senses or internalizes moments by engaging their whole body.
Empathy: being able to understand another person’s emotions while simultaneously feeling those emotions with them.
Eureka moment: have you struggled with a problem but only found the solution in the middle of doing something? It’s when something suddenly ‘clicks’ in your mind and you figure out the answer to your problem, or the reason why you’re doing something, or what someone is speaking or writing about. Share your eureka moments with us!
Restrictions: a set of boundaries, rules, limits you or someone else might place on your art or artmaking process. Do you need restrictions to make art? Do you hate putting restrictions on your art? Either way, we’d love to hear about it.
Aesthetically pleasurable: an artwork that elicits joy, emotion, or positive response simply by the way it looks. Do you have art that looks pretty, but doesn’t have a deep meaning? Share it with us!
Creation as learning: a phenomenon that describes artwork that fosters your growth as you create it. It’s a fulfilling process we’d love to hear about.
Knowledge: reactions, lessons, or experiences you’ve gained using your unique perspective. Think about what you can share with others, either as techniques or creative advice. We’d love to give the space to do so!
Craft: often seen as separate from fine arts and typically focused on functional-based creative strategies, craft refers to a range of practices not limited to button making, sticker making, origami, felting, weaving, etc.
Self-pleasure: cultivating joy for yourself as opposed to others; you’re free to interpret this through queer or feminist methodologies, sexual pleasure, familial or platonic relational pleasure.
Hyperniche: an oddly specific topic, approach or interest you have. This is your space to enlighten the unlearned about it!
Failure: an unsavory event that occurs when we don’t experience an expected outcome or success. One could argue that ‘failure’ is a social construct. When we change our perspective and perceptions, and let go of our expectations, is it really still failure? I don’t know, but maybe you have an idea you’d like to share?
Care: when you express concern for the wellbeing of someone or something, this can be care of loved ones, care for your community, or care for the self.
Self-development: any personal growth you complete as an artist or individual. You’re welcome to share that process with us!
Paper Presentations
Technology/Current Realities
MELANIE YAN - Inside The Cocoon: Echo Chamber, Social Media, Surveillance, Control and Chinese Digital Feminism
JORDAN CROWDER – The Loss of the Body in the Server-City: Disability, Friction, and the Rooftop as Site of Resistance
Reimagining/Unlearning
BRIAN MALOTT – From Happiest Place on Earth to Relational Practice: A Practical Guide to Blue Sky Dreaming and Collaborative Design
MADELINE WILMINK – From Aversion to Kinship: Dissecting Human–Insect Entanglements
JADE NELSON - Archives aren’t dead: Small Scale Disruptions, Pause, and Experimentation Methods for Archival Engagement
Aesthetics/Expanding Worldviews
JENNIE LAU - Eastern (Chinese) Aesthetics
ELLA BIGRAS - Jesse Mockrin’s A story told this many times becomes the forest (2025): Reframing Classical Mythology to Dismantle the Male Gaze
ZOE PORT - Could Not Connect: Virtual Hauntings and the Digital Occult
Workshops
Collage as (Dis)Pleasure - Omer Tamir
Collage as (Dis)Pleasure invites people to engage in intuitive creation.
"For a long time, I have used collage as a tool to create with pleasure, with play, with curiosity. In graduate school, there are often assumptions that our art and practice must be serious. I see many of my peers striving for perfection, which can sometimes bring a lot for dis-pleasure into the process. Collage can act as a powerful tool for artists and creators to work without the limitations and expectations imposed on them (whether by others or, more often, themselves)."
Documenting (Dis)Pleasure: Participatory Method through Sensory Memories - Jingshu Yao
The workshop will start with a participatory activity, where participants are invited to pick from one of the five sensory experiences (smell, touch, vision, sound, and taste). Then they are given time to reflect and write down a personal memory that they associate with the sensory experience.
Jingshu Yao will provide a short presentation on how sensory memory is used at museums and archives to improve inclusivity, accessibility, and document difficult heritage. As a final reflection, participants are encouraged to brainstorm a way to incorporate sensory memory into their own professional practices.
Finding Your Whimsy in a Critical World - Kayla Eli
Finding Your Whimsy in a Critical World invites participants to explore the productive tension between fulfillment and frustration through the intimate, tactile practice of zine-making and analogue collage. The session centers how creative processes can generate both discomfort and satisfaction, and how these opposing states fuel insight. Participants will leave with their final product, an artifact of experimentation and a record of process, revealing in its own way how (dis)pleasure shapes creative thought.
No prior experience is needed to participate!
Materials will be provided however, participants are encouraged to bring their own zine-making supplies, if they would like to.
Growing Roots: Musical Materialisms of Diasporic Filipino Kulintang - Kat Estacio
Growing Roots: Musical Materialisms of Diasporic Filipino Kulintang is a hands-on kulintang playshop. Here, participants will:
Join kat estacio to learn about their music practice, their band Pantayo, a queer Filipinx band based in Toronto
Learn about Kuliversity, a leaning platform which increases access to Filipino Kulintang music leaning, historical and contemporary kulintang practices, the political and social contexts, and cultural significance of kulintang music
Hands-on play and learning
Conference Team
This group of OCAD U Graduate Students envisioned, created, and ran the 2026 OCAD U Graduate Conference.
Melanie Lixiyun Yan
Melanie Lixiyue Yan (She/They) is a Takoronto-based queer Illustrator/Zine Artist. Melanie is currently enrolled in OCAD University's Digital Futures Graduate Program, exploring designing technological mediations for Asian diasporic queer and feminist narratives. Melanie aims to create resonance and perhaps also bring some impact through her works.
Ro Bwanga
Representing the intersection of analysis and creativity, the work of multidisciplinary artist Ro combines scientific understanding with artistic expression. Originally planning on becoming a botanist, her art making process involves contemplating biological theories and using them as metaphors for intangible concepts. Ro is currently pursuing an MFA in OCAD U's Interdisciplinary Master's in Art, Media and Design program. When she is not wandering around the forest, you can usually find Ro tending to a collection of unfinished sketchbooks.
Sherry Lin
Sherry Y. Lin is a graphic designer and musician based in Toronto. Her multimedia practice explores new design possibilities by combining music, poetry and linguistics. Through this integration, she aims to demonstrate positivity and brightness, offering a fresh perspective in the field of visual communication.
Niloofar Sanandaji
Niloofar Sanandaji is a multidisciplinary artist and creative technologist whose works explore concepts of consciousness, memory, and resilience within the post-human context.
She is an award-winning, graduated designer from Digital Futures at OCAD University, currently pursuing her Master of Design at OCAD University, where she is an educator and researcher.
Her practices expand from designing immersive, interactive audio-visual experiences to wearable electronics interfaces to bio arts.
Samantha Moffatt-Sanz
Samantha Moffatt-Sanz is a mixed-media visual artist & curator currently residing in Toronto, Tkaronto, after spending 4 years in Montreal, Tiohtià:ke. Having completed her BFA in in Art History & Studio Arts at Concordia University, she is now pursuing a Masters in Fine Arts in Criticism & Curatorial Practices at OCAD University. Her work is a mix of film and digital photography, mixed-media paintings, and 3-dimensional works, that range from representational and realistic to abstract and emotional with a focus on the exploration of medium and personal fulfillment throughout the creation process. Her curatorial work is focused on reciprocity. She has been featured in various art competitions in Toronto and Montreal, and published in the Branksome Hall Arts and Literary Magazine: Perennial as well as the SAAG 2024 Arts Writing Reader, Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin. Samantha is an active member of the arts communities in Toronto and Montreal. Having been a volunteer at the Luminato Festival of Arts in Toronto, working with Caldwell Securities Ltd., the Junior and Senior Arts editor of Perennial, a Juror for Concordia’s VAV Gallery, a member of the Board of Directors for the 2022-23 Art Matters Festival, a Radio DJ and show host at CJLO 1690AM, a vendor at various Art Markets in Toronto & Montreal and the VP of Events for Concordi’art.