MORE COMING SOON
RO
RO is a multidisciplinary artist exploring the intersection of creativity and scientific analysis. Particularly interested in materials and fascinated by process, RO's work spans the realms of poetry, ecology, sculpture and mythology. RO is currently pursuing an MFA in OCAD U's Interdisciplinary Master's in Art, Media and Design (IAMD) program. Mediating between seemingly disconnected worlds, RO’s ongoing thesis work invites interaction between the human and the more-than-human using natural materials, curiosity and craft labour.
When she is not wandering around the forest, existentially questioning the overall sustainability of artmaking, you can usually find RO slowly teaching herself a new skill or tending to a growing collection of unfinished sketchbooks.
Samantha Moffatt-Sanz
Samantha Moffatt-Sanz is a Toronto/Tkaronto-based artist and curator currently pursuing a Master of Fine Arts in Criticism & Curatorial Practices at OCAD University. Her research explores frameworks of reciprocity, mutual care and circumventing neoliberalism within the commercial art market. Samantha’s artistic and curatorial practice emphasizes slow, immersive, and intuitive modes of artistic production and viewership. Her work seeks to bridge institutional decision-making with alternative artist-run ethics, advocating for non-transactional structures within commercial spaces.
Cell Driver
Cell Driver is a multidisciplinary artist currently enrolled in the IAMD Masters program at OCAD U. Catch them as a Shadfly, in VR or eating a snack in the grange.
Vaishnavi Khullar
Vaishnavi Khullar is a multidisciplinary artist whose work is rooted in memory, diaspora and colonialism. She explores this across various mediums such as video, installation and oil painting. Born and raised in India and now based in Canada, her practice draws from vivid childhood memories, identity, and the shifting perspective that comes with distance from home. She graduated from the Alberta University of the Arts in 2020 with a major in Media Arts. Over time, her practice has shifted from questioning who she is to celebrating and delving into the identity she deeply loves and cherishes. Her focus in graduate school is researching Bengali Folk art and its traditions, visual imagery and its use of sustainability.